“They Are Everywhere” is a video art piece that delves deeply into the impact of technology on humanity, offering a critical and philosophical reflection to its audience. The work begins with a moment of realization, an awakening to a new and unsettling reality where something fundamental seems to have shifted—though pinpointing exactly when it began proves elusive.

Through powerful and evocative imagery, the film examines how technology has become interwoven into the fabric of our lives. It is no longer merely a tool; it has evolved into an almost exclusive mediator between humans and the world, between individuals and their inner selves. These devices are omnipresent, like mushrooms sprouting from the modern soil: on streetlight poles, amidst tree branches, in offices and homes, and most notably, in our hands. Their presence infiltrates spaces that were once considered private and intimate.

The film conveys a sense of loss—not just of privacy and control, but also of the primal connection between individuals and their inner worlds. In this reality, emotions, thoughts, and experiences seem to be documented, analyzed, and, at times, distorted by technology, which dictates the rules of engagement.

“They Are Everywhere” raises fundamental questions about the boundaries of technological influence: Do we control it, or does it control us? How aware are we of the processes occurring behind the scenes, shaping our perception of reality? And at what point did we trade our intimacy for convenience, efficiency, or perhaps fear of being left behind?

The film does not offer definitive answers but instead confronts the viewer with the ambivalent feelings of anxiety, wonder, and loss. It stands at the intersection of the scientific and the human, the aesthetic and the political, the present and the futuristic—a visual and philosophical journey inviting us to rethink our place in the technological era.